We're staring down, not quite believing what we're seeing, at an athletic young man -- known to the cognizanti as a b-boy -- spinning on his head like a child's toy, a whirling top with arms, legs and torso.
A
group of his friends are gathered in a loose circle around him, urging
him on to ever greater, more elaborate, gyrations. Bass-heavy music,
perhaps something by James Brown, whose 1969 song "Get On The Good Foot"
inspired a lot of it, thumps out of a boom box.
We're witnessing the birth of the break dance, right?
Wrong.
The spectacular power moves we're seeing are a somewhat recent
innovation -- introduced by the legendary break dancers "Rock Steady
Crew" in the late '70s and early '80s -- in what is actually a rather
ancient art form with roots extending far wider and deeper than
circa-1960s Bronx and Brooklyn street people.
Though some experts trace the lineage of the break dance back to the Brazilian Frevo,
a Russian folk-dance-influenced form of martial-arts dance/march, it
seems more likely that breakin', while it did originate in Brazil
approximately 500 years ago, was invented by African slaves rather than
native Brazilians or their Portuguese rulers.
Their dance, still popular today, became known as the Capoeira
and is, as far as we known, the first nationally and internationally
recognized dance to combine upright fighting and shadow-boxing moves
with groundwork.
Mentally
fast forward through the centuries, travel northward some thousands of
miles, and check out the "uprockers" on the streets of Brooklyn, N.Y. in
1967. Though the Uprock (a.k.a. Rocking), which features,
among many other movements, burns (aggressive hand thrusts) and jerks
(martial-arts-inspired body motions) is not a break dance as we envision
it now, it is the true soul-beat precursor of the Toprock, which took Uprock routines, added transition moves sometimes known as the six-step, and finished with groundwork.
Today's
break dancing began to come of age in 1969 and 1970 when disc jockey,
record producer and visionary Afrika Bambaataa convinced the members of
the Bronx street gang of which he was then the warlord to challenge
rival gangs to battle with macho dance routines in lieu of guns and
knives.
As the '70s evolved, more emphasis was placed on groundwork involving stylized leg movements (so-called Floor Rock or Down Rock)
and moves were added and deleted as tastes in funk, soul and early hip
hop music evolved. Still, the basic form of both rocking and breakdance
"cutting" contests remained the same until the "Rock Steady Crew" and
the "Electronic Boogaloo Lockers" (later renamed the "Electric
Boogaloos") literally hit the streets of New York with the spectacular
hand-gliding, back-spinning, windmilling, and head-spinning ground moves
that have since become synonymous with the word breakdance.
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